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Saturday, February 9, 2013
Melody Makers of yesteryears
Friday, July 10, 2009
The immortal Rafi
coming from the Indian sub continent.Besides being the most melodious and versatile singer, he was also a Great human being.Simple , down to earth and ever helpful.In the highly competetive world of Indian cinema, he remained totally unaffected by any glamour or Greed...Truly a respected and beloved singer of all times...
Three reasons to love Mohammad Rafi and respect his talent...
1, The most important reason being that Mohammad Rafi has the most perfect voice that any singer can ever hope to have, which is reason enough for any music lover to love Mohammad Rafi and his singing..
2, He is the most versatile singer ever...he has covered all the ragas and every aspect of Indian film music , be it Classical, light romantic, intense and emotional songs or heart wrenching melodies, religious songs or the westernized club songs ..he has never compromised in his singing, he has always given his best to each and every song that he sang...
3, Rafi is the greatest unifier that India has known..other than another towering personality in the film world Dilip kumar(Yusuf Khan).I personally feel that one can never think of Rafi as a muslim, he is Mohammad rafi, the singer who stirs souls with his singing, and who every indian looks up to..
There can be nothing greater... when a person is held in such high esteem..d respect his talent...
Mohammad Rafi at a Glance
Rafi remains immortal through his songs...
Mohammad rafi (December 24, 1924 - July 31, 1980) is the greatest singer known to Indians.He was born in Kotla Sultanpur, in Punjab,India.After some initial days of struggle he began singing in punjabi films.he later moved to Bombay and began a successful singing career beginning with a song 'Hindustan ke hum hai' from the film "Pehele aap", in 1944....Over the next 3-4 years Rafi began to rise in stature and established himself as the number one singer of the Hindi Film Industry..he reigned supreme for 3 decades...He did face a lean period in the seventies, but he came back with a bang with some great songs from films like 'Heer Ranjha', Yadon ki Baraat,Hanste zakhm,Yakeen etc..Unfortunately soon after this he succumbed to a massive heart attack and died at the relatively young age of 56...To this day Rafi is adored and loved by his fans old and young...Rafi was indeed the best
Wednesday, April 15, 2009
Songs that made an impact
Some of those songs i mention below..
1, Khoya khoya chand khula aasman from 'Kala Bazaar' - i was a child when i listened to this song being played on the Radio, it made an impact and i would stay still every time i listened to it. Now it brings back all those lovely memories of childhood to me..
2, Bachpan ke din bhi kya din the udthe phirthe titli ban ke bachpan from 'Sujata' - another great childhood favorite
3, Roop Tumhara aankhon se peelu , one of Manna dey's best songs ever from the film Sapera - Love this song for obvious reasons, utterly romantic Love poem, and the tune is so melodious, it transports you into a dofferent world altogether..
4, Bhool gaye kyon dekhe sahara lootnewale chain hamara , an evergreen Mukesh- Shamshad Begum melody from the film Anokhi ada - i simply love the song and the singing, the lyrics and the feeling that comes through those words...
5, Jo hum pe guzar thee hai tanhaan kise samjhaye from Muhobbat isko kehete hai- one of Suman Kalyanpurs best songs in my opinion and i feel it is written just for me...
6, Chand maddham hai aasmaan chup hai , lata at her best in this song from the film Railway Platform - words fail to describe this very touching melodious song..
7, Zindgi ki kasam ho chuke unke hum yeh zamana deewana , Talat Mehmood at his best in this extremely melodious song. the lyrics are superb as they were those days..
Check out sharing opinions news, commentary and discussions on myLot.
Friday, April 3, 2009
Madhumati - Bimal Roy's Eerie Romantic Classic

When Bimal Roy decided to try his hand at something different, a supernatural entertainer this time, he was scoffed at by the film Industry, coming after his earlier sensitive masterpieces like Do Bhiga Zameen (1953), Biraj Bahu (1954) and Devdas (1955). But Bimal Roy had a reason for this, none of his films made much money and he wanted to make a sure hit film with a time tested formula..
But when Bimal Roy released his latest film with such a conventional story the critics were silenced.The final film remains one of his most enduring cinematic efforts. In fact that very year Bimalda came up with another lightweight film again starring Dilip Kumar, Yahudi (1958), which incidentally was also a huge success at the box-office...And then he turned once again to films that had subjects that were close to his heart.He came up with Sujata , his most loved film, which i have reviewed earlier..
The story of Madhumati
~~~~~~~~~~~~~~~
The story begins with Devendra(Dilip Kumar) , driving down a hilly road ,with his friend to the railway station to receive his wife and child .They meet with a minor accident, as there is a land slide, and are forced to spend the night at an old Haveli (Mansion) with a care taker .Even as he sets his eyes on the mansion, Devendra begins to feel that everything was familiar with the Place.As he goes round he spots a Portrait of a man and he begins to remember things that are unconnected to his life at present.As he delves deeper into his memory , he is able to recall flashbacks of his previous life, where the mansion had played a major role...Now he recounts his story to his friend and the caretaker of the mansion.
Anand( Dilip Kumar) as he was called in his previous birth, comes to Shyamnagar Timber Estate as a manager.As he wanders about the hill side sketching the enchanting hillsides, he meets a beautiful tribal girl Madhumati(Vyjayantimala) and falls in love with her.He wins over her father and they plan to get married.
Madhumati is being pursued by Ugranarayan(Pran) the Evil owner of the Timber estate who owns the Mansion.He watches the two lovers getting close and warns Anand not to have anything to do with the tribals. But Anand remains firm in his feelings for Madhumati, which angers Ugranarayan and he decides to take revenge on the lovers...
When he gets an opportunity, he sends Devendra away on work to a nearby city, with Devendra reluctantly, leaving after asking his aide Charandas(Johny walker) to take care of Madhumati.But Ugranarayan has planned before hand , knowing Charandas's weakness for drinks , to get him drunk and kidnap Madhumati.
My views about the film
~~~~~~~~~~~~~~~~
Madhumati has often been criticized as one of Bimal Roy's most lightweight films following the good old Hindi film formula in its choice of theme and contents. But one is amazed at Bimal Roys sheer skill as a filmmaker , that transcends above everything to give us an extremely engrossing tale of Intense love and Romance , Reincarnation and Revenge.
The film is further boosted by excellent performances alround, be it Dilip Kumar or Pran or Vyjayantimala, great cinematography, editing and above all its fantastic musical score by Composer Salil Choudhury.
Madhumati has all the right qualities of an eerie romantic film that hooks the viewer right from the beginning as Dilip Kumar takes shelter from the storm and enters the old Haveli and the atmosphere builds up straight away.
Bimal Roy is an expert at making his shots convey all the minute details.In the scene when Anand is trying to find the estate , he is on the top of a hill , he is out called by an unknown female voice not to go further as there is a sheer drop, and he looks around to see the fog slowly engulf him and hears the girl singing one of Latas most melodious haunting numbers ' Aajaa re pardesi- this scene is unforgettable, it remains in your memory forever.
The Romantic interludes between Dilip Kumar and Vyjayantimala is a treat to watch.One gets the feeling that they were actually involved with each other, such is the intensity with which it has been portrayed, and those superlative songs add to make it a memorable experience.
Dilip Kumar is no doubt the greatest actor ever, so one expects nothing but brilliance from him.In this film he is all of that and more.He has given his usual brilliant touch to the film.
But clearly the focus is on Vyjayantimala as Madhumati.Her looks and whispers 'Babuji' haunts one so...She , besides looking enchantingly beautiful, has some excellent dance numbers. Vyjayantimala was a trained Bharatanatyam and Classical dancer.Dilip Kumar after seeing her perform for the song 'Chad gayo paapi Bichuaa' is supposed to have remarked that she had lightning in her foot.She is truly amazing in this film.The film showcasing both her acting as well as dancing abilities and the dizzying success of the film, took Vyjayantimala to the highest rungs of stardom.
Pran in his villanious role particularly scores heavily as the lecherous estate owner , and established his status as perhaps the greatest villain ever to grace the Indian Screen after this film.
Johny Walker, as usual adds the comic touch and gets to sing the popular Rafi song 'Jungal mein mor naacha'- He was the only comedian , for whom some of the most popular songs were composed with a lot of care by the earlier music directors, such was his impact.
Above all the Jewel in the crown, the film's music -it is a total triumph for Salil Choudhury composing perhaps his best and most popular musical score ever. When the songs of Madhumati were composed, Salil Choudhury made sure that the tweeting of birds, the flight of an eagle, the background of the tribals singing, and the patter of rain were all included in the melody to give it the right touch.The film was extensively shot in Darjeeling and amidst the foothills of Himalayas in Assam..The black and white picturisation leaves one breathless.
Each song be it the haunting 'Aaja Re Pardesi'w which gets repeated a few times in the film, the folksy ' Chad gayo paapi Bichua' or ' Zulmi se Aankh Ladi' or the heart wrenching score by Rafi ' Toote Hue Khwabon ne ' or Mukesh's ' Suhana Safar aur yeh mausam haseen' or the sweet romantic ' Ghadi Ghadi Mera Dil Dhadke' or the teasing duet ' Dil Tadap Tadap ke Keh Raha Hai Aa Bhi Jaa ' or even the comic 'Jungle Mein Mor Naacha' picturised on Johny Walker is tuned to perfection.
In fact Lata Mangeshkar counts Aaja Re Pardesi from Madhumati as among her ten best songs ever. So also Rafi's 'Toote hue Khwabon ne' is one of the greatest sad songs ever picturised.
Madhumati won nine Filmfare Awards including The Best Film, The Best Director, The Best Music, Best Playback Male (Mukesh) and Best Playback Female (Lata Mangeshkar).
Fim Details
~~~~~~~
Madhumati (1958)
Country: India
Language: Hindi
Color/BW: BW
Genre: Mystery, Romance
Runtime: 164 minutes
Saturday, March 28, 2009
Mein apne aap se ghabra gaya hoon - Mohammad Rafi
Film : Bindiya
Music : Chitragupta
Main apne aap se Ghabra gaya hoon
Mujhe yeh zindgi deewana kar de
Mujhe yeh zindgi deewana kar de
Mein apane aap se ghabra gaya hoon
Ghabra gaya hoon...
Mujhe yeh zin
Kahan se yeh farebe arzoo mujhko kahan laya
Jise mein poojtha tha aaj tak nikla woh ik saaya
Khata dil ki hai mein sharmaa gayaa ahoon
Mein apna aap se ghabra gaya hoon
Mujhe yeh zindgi deewana karde
Bade hi shokh se ik qwab mein khoya hua tha mein
Ajab masti bhari ik neend mein soya hua tha mein
Khuli jab aankh toh darr aa gaya hoon
Darr aa gaya hoon
Mein apne aap se ghabra gaya hoon
Mujhe yeh zindgi deewana karde
Mujhe yeh zindgi deewana karde
deewana karde, deewana karde...
Tuesday, October 7, 2008
Geeta Dutt and Suman Kalyanpur- Bangladeshi Natives?

Geeta Dutt and Suman Kalyanpur - Bangladeshi Natives?
I cam across an article on the net and according to this article published by Fakhruddin Ahmed ,a Rhodes Scholar and a Daily Star columnist , the late Geeta Dutt and Suman Kalyanpur, are Bangladeshi natives.....
To quote Fakhruddin Ahmed from his article "MOST Bangladeshis do not know that two famous playback singers of Hindi movies in the 1950s and 1960s, the late Geeta Dutt and Suman Kalyanpur, are Bangladeshi natives. Geeta Dutt (Geeta Ghosh Roy Chowdhuri) was born into a rich Zamindar family in Faridpur on November 23, 1930 and stayed there until 1942. Suman Kalyanpur (Suman Hemadey) was born in Dhaka on January 28, 1937 and lived there until 1943..
Who can forget Geeta's immortal Bengali songs, Tumi Je Amar ("Harano Shur,"1958), Ei Shundar Shwarnali Shandhyay ("Hospital," 1960) and Nishi Raat Baka Chand Akashey. Geeta could sing all types of songs, "soft, snappy, teasing, sad," seductive or western. Geeta developed her talents under the tutelage of Sachin Dev Burman and O. P. Nayyar. Her famous Hindi songs include: Mera Sundar Swapna Beet Gaya, ("Do Bhai," 1947), Babuji Dhire Chalna, ("Aar Paar," 1954), Ae Dil Mujhe Bata De, ("Bhai Bhai," 1956) and Aaj sajan mohe ang lagalo ("Pyasaa," 1957). Geeta's disastrous marriage with the director of "Pyasaa," Guru Dutt, who was in love with Waheeda Rahman, destroyed them both. Guru Dutt committed suicide in 1964; Geeta died of liver cirrhosis on July 20, 1972, at the age of 41!
Although Lataji was a fan of Geeta Dutt, that was not the case with Suman Kalyanpur. The reasons were many . First of all , Suman's voice sounded very similar to Lata Mangeshkar's,so that people confused the two. More important, in the early 1960s, Lata had a falling-out with singer Mohammad Rafi. As the two dominant playback singers, Lata wanted Rafi to back her demand that if a movie was a box office hit because of its songs, the singers should get a percentage. Rafi Saab took the opposite view: once a singer is paid for a song, he has no further claim. (Clearly, Lata was right.) Lata and Rafi Saab stopped talking, and singing duets.
When it came to choosing between Lataji and Rafi Saab, in those days the music directors preferred Rafi Saab. Because Geeta was running into marital and alcohol problems, up and coming Asha Bhonsle benefited; but the real beneficiary was Suman, because she sounded like Lataji. Music directors successfully substituted Suman for Lataji without missing a beat.
Suman sang several memorable duets with Rafi Saab: Parbaton Ke Petron Par, ("Shagun," 1964), classical Ajahunaa Aaye Baalaama, ("Sanjh Aur Saveera," 1964) Aaj Kaal Tere Mere ('Brahmachari," 1968). Other famous Suman Hindi songs include: Na Tum Hamen Jano, ("Baat Ek Raat Ki," 1962), Mere Mehboob Na Ja ("Noor Mahal," 1965) and Sharaabi Sharaabi, ("Noor Jehan," 1967). Thrice, she won the prestigious Sur Sringar Samsad award for the best classical song in a Hindi movie. Suman's Bengali hits include, Tomar Akash Theke, Mone Karo Ami Nei, and Shudhu Swapno Niye.
Some believe that Lataji never forgave Suman, believing that her rift with Rafi Saab would have ended sooner had Suman not been picking up the slack. When the rift finally ended four years later, through the mediation of actress Nargis and music director S. D. Burman (who had his own run-in with Lataji in 1958), reticent and shy Suman's sojourn as an elite singer was effectively over."
Coming to this observation, I can well believe that, Geeta dutt might have had her origins in Bhangla Desh which was afterall a part of Greater Bengal before its independence as late as the seventies..
But, Suman Kalyanpur comes from a Saraswat Brahmin family from Karnataka - Maharashtra border. Her father was in services at Dhaka and that's how she spent her early years there. She is Suman hemmadi, not Suman hemadey as the author claims..
However the rest of the article and observations make interesting reading...
Monday, June 9, 2008
Suman Kalyanpur - Voice of Sweetness
Her career, debatably, was believed to have been restricted by the awesome presence of the Mangeshkar sisters on the scene. Was that ever a pressure factor?
She says “The Mangeshkars were well-established much before I came on the scene. I was still able to carve out a niche for myself. If there had been any such pressure, wouldn’t I have dropped out at the outset?”
What does she feel about the remixes era?
“I think they are mostly made by people who don’t like old songs. Or don’t understand them. Or aren’t getting any good new tunes. Only they can explain why they do it. I feel they must at least stop adding those raunchy music videos. It’s embarrassing to watch them on TV at home with children watching. The makers should act more responsibly.”
Suman Kalyanpur has sung many many extremely melodious songs for Hindi films
Some of my favourites - Solos
Easily one of her best songs
1,Jo hum pe guzar the hai tanhaa kisse samjhaaye - Film:-Muhobat isko kehete hai
2,Juhi ki kali meri laadli - Film:- Dil Ek Mandir
3,Haal e dil unko sunaana tha sunaya na gaya - Film:-Fariyaad
4,Aankh sharmane lagi zulf lehrana lagi - Film:- Captain Sheroo
5,Apni piya ki mein toh bani re joganiya- Film:-Kan kan mein Bhagwan
6,Beethe hue din kuch aise hi hai - Film:-First Love
7,Bhuja diye hain khud apne haathon - Film:- Shagoon
8,Chand kanwal mere chand kanwal - Film:-Saanjh aur Savera
9,Dil gham se jhal raha hai jhale - Film:- Shama
10,Jeevan hai ek bhool sajanwaa bin tere - Film:- Chetana
11,Jhoom ke piya ke ghali - Film:- Jai Bavani
12,Jhoome aasman jhoome yeh zameen - Film:- Dekha Jayega
13,Keheti hai jhuki jhuki nazar - Film:- Zindgi aur Khwab
14,Saanwariyaare apne meera ko bhool na jaana - Film:-Aanchal
15, Mere meheboob na jaa aaj ki raat na jaa - Film:- Noor Mahal
16, Na tum hame jaano na hum tumhe jaane - Film:- Baat ek raat ki
17,Tum agar aa sako to aa jaao - Ek Paheli
18,Zindgi zulm sahi - Film:- Shagoon
19, Chodo chodo mori bhaiyyan saanvre - Film:- Miya biwi raazi
20,Ek thi nindiya do thi naina - Film:- Seema
21, Ek jhurm karke hum ne - Film:- Shama
Some of my favorite duet songs
1,Yeh kisne geet se cheda - with Mukesh - Film:-Meri soorat teri aankhen
2,Tere hum o sanam - With Rafi - Film:- Bachpan
3,Na tum hame jaane - With Hemant Kumar - Film:- Baat ek raat ki
4,Tum jo aao to pyar aa jaaye - with Manna dey - Film:- Sakhi Robin
5,Pyar ki dastaan - with Talat Mehmood - Film:- Pyar ki dastaan
6,Na jaane kahan tum the - with Manna dey - Film:- Zindgi aur Khwab
7,Baharon se poocho - with Mukesh -Film:- mere ghar mere bachhe
8 Zaraa si baat pyar ki - With R,afi -Film:-Salaam memsahib
9, Yeh mausam rangeen sama - with Mukesh - Film:- Modern Girl
10,Yeh din din hai khushi ki aajaa re - with Manna dey - Film:- Jab se tumhe dekha hai
11,Jab se hum tum baharon mein - with Rafi - Mein shaadi karne chala
12,Tum hi kehedo tumko mujhse itna pyar kyon - with Mahendra kapoor - Film:- Pareeksha
13,Yeh nasheeli hawa - with Manna dey - Film:- Neeli aankhen
14,Dil ek mandir hai- with Rafi - Film:-Dil ek Mandir
15,Dil ki kitaab kori hai - with Rafi - Film:- Yaar mere
16,Mera pyar bhi tu hai - with Mukesh - Film:- Saathi
17,Haan maine bhi py
a
r kiya - with Mukesh - Film:- Boond jo ban gayi moti
18,Parbaton ke pedon par - with Rafi - Film:- Shagoon
19,Jaa jaa jaa chod de o chalia - with Mukesh - Film:- Kan kan mein bhagvan
20,Teheriye hosh mein aa lu - with Rafi - Film:- Muhobbat isko kehete hai
21,Aise to na dekho ke behek j21aaye- with Rafi - Film:- Bheegi raat
22,Taron ki tandi chaiyya - with Mukesh - Film:-Naag Devta
There are many more melodies with suman kalyanpur ...;
Monday, May 12, 2008
Mohammad Rafi - A legend of legends
I still remember the kind of magic that was created when I listened to Rafi singing 'Khoya khoya chand' 'Nigahe na phero', Baar baar dekho hazaar baar dekho' 'Salaamat raho'... felt that Rafi had God's own voice which can never be equaled let alone surpassed...!
He is considered to be the Best singer of all times. His name ranks first and foremost as long as music is discussed by all hindi music lovers.The kind of fan following Rafi has, is seen to be believed, it is spread across nations and continents . In fact, many a critic has remarked that Rafi’s fan following and adoration has grown by leaps and bounds after his death. Rafi has been a single great unifier of people across the continents, he has united people like no other person has.Rafi the singer has no religion, he is himself, adored and respected for the magic he weaved with his voice and songs !
"In the age of nasal singers, the heart longs to listen to Mohammad Rafi once again.His recordings now remain the only source of solace.."
It is not possible to choose any favorites among his songs , because there are so many that come to ones mind , each one better than the other,each more melodious than the other..words fail while talking about this god like person , it is said that Rafi was a teetotaler, a religious and extremely simple and humble person.;A great singer and greater human being..unsurpassed !
